YOGYAKARTA

STRUCTURE raft or administration of Yogyakarta in principle closely related to the existence of the Yogyakarta palace exist since the start of the Agreement Gianti on 3 March 1755 M (29 Rabiulakir JW 1680). Start at that time I established the Sultan Hamengkubuwono palace with a wide range of facilities and infrastructure for various activities mewadahi kingdom (Darmosugito, 1956). The sultan also successor to the development of facilities and environmental context zamannya. The built environment is created to meet the various needs of life and mewadahi various activities, both to the activities of social, cultural, business, and residence. Completeness of the physical facilities, infrastructure, estetik, ethics, symbols, and philosophical-religious existence have coherence with the various design and function, as its meaning. The characteristics and the meaning is essentially inherent in the elements of the building, a building space, building, group of buildings, and lingkungannya.Yogyakarta as a city that has unique characteristics and, in particular structure have meaningful philosophical-symbolic, that is based on the imaginary line (Gunung Merapi)-Tugu-palace-Stage-Krapyak (South Sea). The axis in the palace in order raft physical configuration is a part of the administration of Yogyakarta. The cultural-historical buildings that have focused on the existence of the palace, which is located in the fort and the surrounding environment. The existence of the representative palace prince (in and outside the fort) and toponim-toponim device bureaucracy and palace soldiers configuration is the existence of functions between the palace and the supporting community. Building the Java architecture is figured, the Joglo, limasan, and villages. The process of social interaction in the cultural community in the city on the birth budya product complexity, both cultural material (material culture) and cultural life (living culture) in the form of social regulation, the arts, customs, ethics, estetik, and philosophical-religious. Product complexity existed in the culture akan dijiwai one hand and in accordance with the context, style, and cultural ties, on the other hand also show tinggalan plurality or cultural diversity. Axis stage Krapyak-Palace Governance structure of the full raft of Yogyakarta palace longitudinal direction from the south (Krapyak Stage) to the palace (north direction) associated with the road straight (Jl DI Panjaitan, Jl Gebayanan first) and to fort in the palace is connected with Gates Nirboyo (Plengkung Gading)-Alun-alun Selatan (Pungkuran) Siti Hinggil south (since 1955 until now Sasono Hinggil Dwi Abad)-Regol Gadung Mlathi-Regol Magangan. The philosophical-symbolic system raft building symbolizes the journey or the process of human life from the womb, born, until the events of his life (internship). To the north is Regol Magangan Kedaton, which has the meaning of human existence. Along the left-right side of the road from the palace to Krapyak equipped with the typical vegetation or trees that have a particular meaning, among other, the ASEM, salt, jambu dersono, kweni, Beringin and Sawo kecik. Vegetation is a typical tree-especially-also Sawo kecik to be characteristic for dalem dalem-noble. Palace is surrounded by fortress baluwarti (the outside) and cepuri (in part) or corral dalem Kedaton. To enter the fortress palace is five (5) main gate, the Gate Nirbaya, constable, Jagasura, Tarunasura, and Madyasura and jejalur knot and knot-way communication that supports and antarkawasan transportation. Environmental conditions in the area south of the palace and fortress at this time still showed characteristics suited to the existence of a palace, the process of change and development that does not happen dramatically. Tradisionl settlement pattern is still visible, reinforce the uniqueness condition toponim villages that still have the procedure keterkaitn raft palace. Siti Hinggil axis-palace and the palace of Tugu monument associated with the road straight (Letjen Jl Achmad Yani, Jl Margamulya first, Jl Malioboro, Jl P Mangkubumi, formerly Jl Margatama) that stretch out from the south to the north. Along the road there are some buildings which are tinggalan old structure of the city, among others: Kepatihan palace (now Office of Governor) and Beringharjo market. In addition, in the process of cultural interaction with the foreign community (Europe) delivered the diversity of cultural products such as buildings, colonial-era indis figured, among others: Court Building, Vredeburg, Nilmij (now Bank BNI), Hotel Garuda, and the Tugu Hotel . In addition, communities around the Chinatown Market Beringharjo-Malioboro, among others: Ketandan area, Gandekan, Bekalan, and Pajeksan. The historical-cultural Siti's Hinggil (palace) king (sultan) sit (lenggah siniwoko) concentration to the north of Alun-alun Tugu up to the peak. Siti Hinggil road axis (palace) to the Tugu is a historical symbol of perfection in the presence of the king who lives in the process based manembah to the Most High and the one with the determination of his people (golong-gilik). This is done after transendensi able to do worldly challenge, the king-manunggalnya people (meaning Beringin brackets in Alun-alun), economic challenges (symbolized with the market), temptations of power (symbolized police), and the influence of foreign (Benteng Vredeburg), (Brongtodiningrat, 1975) . Please note, that the Sultan of Tugu Hamengku Buwono I to VI represent the meaning golong-gilik (one determination) between the king-of the people, namely the top sphere (golong) and the bottom of the form of astigmatism (gilik). Shaft is then due to the collapse tektonik earthquake in Yogyakarta on 10 June 1867, this is marked with a sun sengkala Hargo Molah Dening Sanghyang Naga Earth. Tugu form as now is the result of the renovation period Sultan Hamengkubuwono VII in the year 7 Sapar 1819 (3 October 1889). Environmental conditions at this time, views of the community activities in the area menampakan-pull between the interests of interesting aspects of the social, economic, governance of the city and cultural values. Environment that is loaded into the load and pull the interesting changes in the interests of this and the fast. Tugu-axis palace-Stage Krapyak are primarily urban areas that have some components that are significant for the community. Historically the area is also an area that grow, develop, and interact on an ongoing basis. In the context kekinian, urban areas that can build a picture (image) for the public. Component areas that can build the image and the image has a typical and unique, both jejalur (paths), the boundaries (edges), the segment area (districs), knot (nodes), and landmarks (the physical area of the prominent). Value of historical-cultural, philosophical, and architectural "imaginary axis" is an identity that have character and potential. The existence of a protected environment should continue, diaktualisasi and strengthened. Efforts to preserve cultural property protection to the laws and regulations that apply, among other RI Law No 5 / 1992 on Cagar Cultural Objects Regulations and to seek to preserve local culture. Thus, the existence of the axis and the cultural products that still have "monumental" and to "power-magnet" for the City of Yogyakarta.